29.iv.21
485
2.89
the hat factory and the yellow room
ekphrastic for Margaret Olley’s studio
(48 Duxford St, Paddington -- now at Tweed Regional Gallery)
‘because I have a face like a pudding and it’s easy to draw’
fill your head with flowers
such statuary
teeter too
the vindication of spread and pile
like a certain shed
you’d never have guessed from the street
life as vast array
palette dry
Classic FM goes on
the chair inherited
furniture older than anyone left
reminds me of Bernard Hickey’s Lecce
that vintage
things have fallen
there they lie
though one must not say ‘come to rest’
pods and pots
table set still
how is the table cloth clean?
here is a midst and how the mind’s carried
gather the outside in
the garden head, undomestic
scrub canvas
gum leaf, bottle
all to come back
from sketch not scratch
making icon of self by extension
the day’s a pun
every inch of life in
taken up
who makes it to the wall?
take harbour
take streets go on after
off Stafford Lane
odd things anatomical
teeth in the cage concealed
brolly broom and rug worn through
a porcelain hoarding and poppies
for wilt at the day
objects of lost provenance
stairs wound up to sleep
ribbon, confetti, leaf strew
the floor itself a dig
see colours
of the kitchen spiced
see The Nurses’ Dictionary
a box with ‘fragile’ -- that’s a joke
(but possibly all is)
all faux supported Corinthian order
things about to come into their own
‘studio first and kitchen second’
a cushioned world, with all required
never wished for another
she knew where everything is
all lost to the trouble of where to be next
and here we are at home
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