Wednesday, 12 August 2026

#2416 -- all teeth

 




2416

7.223

13.viii.26

all teeth

ekphrastic for Si On’s ‘The Magic of Women and Other Stories’

 

suppose a body

of shattered mirrors

 

so the skull shows branded

        ribs tell

              itch

 

smooth where you see into the wall

 

and so perhaps you too reveal

 

dangle of chains, innids plastic

 

mostly we’re on fire

 

words beaten from a grief

 

or love spew

 

a dysphoric flower

 

lolly, gun, grip

 

the slippers empty now

 

mainly, though, the teeth


 

























Tuesday, 11 August 2026

#2415 -- life is a tree

 



2415

7.222

12.viii.26

life is a tree

 

always was

 

a tree where I’m not

and a tree where I am

 

fingers of light fell through

 

a sky lit day, night

more than one

but many

 

so the seasons for the record

 

so a city is these ruins made

 

life is a tree however

 

saw myself, puddle up

 

we, too

a voice lost

 

claws gone

in among branches

 

see the brickwork, paint gone

 

a song like smoke

just a breeze to take home

 

we will build another tree, they say

 

who’ll see through how?

 

a tree was always there

 

some come from it, bow

as limbs to a breeze

and gather

 

all that is lost

to the air

to soil

 

sometimes out of the crack in a cliff

from nowhere

thin as air

 

the seed puts out

with gravity

rises as it falls

 

life is a tree

shows how to become

 

a pause and the rings run round

 

the very stars in awe

 

a tree shines

in the hours unkept

 

shows what it is to be


Monday, 10 August 2026

winning the inaugural Southerly Prize

 


#2414 -- the world is snow

 




2414

7.221

11.viii.26

the world is snow

ekphrastic for Józef Chelmónski’s 1868 ‘Four Horses in fron of a Cottage’

 

the village is winter

 

red skirt and scarf

the kind of joke you shouldn’t tell

 

better the shoes with the holes than none

 

horses tread the day to slush

 

bare trees and a smoke grey sky to bury

 

leaning into the breath you can see

 

dark of a doorway

and distance is dark

 

bells ring far for a doom

 

snow  is clean where no one goes

 

there is a further desolation

 

night is to fall on these faces

 

dogs leap for their joy 




Sunday, 9 August 2026

#2413 -- my imaginary friend

 





2413

7.220

10.viii.26

my imaginary friend

 

drops in from who-knows-where?

or they were there when I arrived

no one else can see

 

my special friend

my secret friend

friend of my imagining

 

I give a name

it’s not his hers

 

and no one else will know

 

come from a sky

from the city of bridges

come from a silent sea

 

it’s fun we’re at together

it’s friend who has imagined me

 

helps with my homework too

 

by virtue of an absence here

 

we have an understanding

comes in the form of a game

on Sunday or any other almost

 

often wake up to tell a joke

 

the antlers just for frolic

 

I write this message in a bottle

so very far out

so as to say

 

how one day we may go away

imaginary friend and I

 

we’ll wave the world goodbye






Saturday, 8 August 2026

#2412 -- the best place for a king is in the ground

 



2412

7.219

9.viii.26

the best place for a king is in the ground

 

something heavy for a lid

 

a king is not my hero

 

kings have a habit of cropping up

when you were quite sure they were gone

 

whatever good they might’s from might

how’s that a good thing?

 

yet kings remind us of what never was

how when the world was hale and whole

no hair out of place

 

there’s nostalgia for a sacred crown

kings have that quality of rumour

and may seem blameless after

kings get around the way of ghosts

 

some even with their heads chopped off

but more of them – many more – do the chopping

or have their chopping done for them

 

that was ever their way

 

the best place for a king is in the ground

 

it’s where your king’s best kept

 

best to let God save them

 

an unmarked grave is apt


Friday, 7 August 2026

#2411 -- ki tudja, hogyan tanulhat bárki bármit is?

 


2411

7.218

8.viii.26

ki tudja, hogyan tanulhat bárki bármit is?

 

az egyik fejben képek vannak

a másikban szavak vannak

véletlenszerű állatok zajai

 

grimaszolnod kellene

reakciót vált ki

 

olyan, mintha megpróbálnád megérteni, hogyan jött a szerelem

vagy hová tűnt az álom

 

mindenki itt az igazságot keresi

de

én szavakkal tévedtem

 

csak egy suttogás

 

ki tudja, hogyan kell megtanulni

 

járni, mászni?

 

a mélyvízbe dobnak

 

kidobnak a fészekből

 

látom a katasztrófa mértékét

hogyan világszerte

még nagyobb

 

ünnepélyes kötelesség

 

összeállni

 

az alkotás szentségével

 

talán megint senkivel sem beszélek?

 

most látom, hol a lépcsők

eltűnnek a felhőkben

 

előtte

csak felhők voltak

 

 








 

who knows how anyone learns anything?

 

there are pictures in one head

there are words in another

the noises of random animals

 

make a face

get a reaction

 

it’s like trying to understrand how love came

or where the dream went

 

everyone here is guessing for truth

but

it was with words I got lost

 

just a whisper

 

who knows how to learn

to walk, to crawl?

 

they throw me in the deep end

they push me out of the nest

 

I see the scale of the catastrophe

how it is worldwide

even bigger

 

it’s a solemn duty

to consort with

the sacredness of making

 

perhaps I am speaking with no one again?

 

now I see where the stairs

disappear in the clouds

 

before

there were only clouds